Upload your callsheet
01Drop the PDF, JPEG, or screenshot. Martini reads it — production title, dates, location, every name and role — and files it under the right job. Nothing is public.
A living cinedex for film crew
A cinedex that keeps up with the work.
Upload your callsheets. Connect with the crew on them. Martini keeps a verified cinedex of everyone you've worked with — and a quiet archive of every production you've been on — without you having to remember to type a single name.
martiniup.com/cinedex
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CineDex · 142
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Search names, roles, productions…
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Worked with
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JM
Jordan Mireles ✓
1st AC · Camera
Last: Saltwater Country · Apr '26
SO
Sade Okonkwo ✓
Gaffer · Lighting
Last: Pale Horse · Mar '26
DV
Devi Vargas ✓
Costume Sup · Wardrobe
Last: The Estuary · Feb '26
RT
Reece Tanaka
Script Sup · Production
Last: Brooklyn pilot · Jan '26
AO
Anders Owusu ✓
Steadicam · Camera
Last: Mojave Unit · Dec '25
KH
Kit Halberstam ✓
Sound Mixer · Sound
Last: Pale Horse · Nov '25
NL
Naya Larsson
Hair · HMU
Last: The Estuary · Oct '25
01 The CineDex
Names that prove themselves.
Every connection on Martini is backed by a real callsheet. Both of you were on the same production, on the same day — so the cinedex is honest by construction. No LinkedIn-style noise; no claims you can't verify; nobody on your list you didn't actually work with.
02 The loop
Upload. Share. Compile.
A working cinedex doesn't need a profile page or a daily prompt. Drop the callsheet you already have, tap the crew you already know, and Martini does the bookkeeping for you — once at the end of every job.
Share with crew
02Every person and production files into your private career archive. Rate them, tag them, leave a note for next time. Mark your favorites.
Connect — verified
03Jordan Mireles
Saltwater · D14
Devi Vargas
The Estuary · D02
Naya Larsson
The Estuary · D03
Both of you on the same callsheet? Tap to connect. Both confirm. Now the relationship lives in both of your cinedexes — with the production it came from attached. For the rest of your career.
03 Productions
Every show you've been on, in one bin.
Each callsheet you upload files itself under the right production. Your work history compiles itself — dates worked, role, location, who was on it with you. The list nobody made you keep.
Saltwater Country
DIT
22 days
Pale Horse
2nd Unit DIT
14 days
The Estuary
DIT
31 days
Brooklyn (untitled)
Loader / DIT
8 days
Mojave Unit
DIT
3 days
04 Resources
The phone book, kept honest.
Rental houses today — searchable, ratable, the same way you'd ask a friend. Stages, post houses, vehicles, and craft are queued. Slow, vetted, useful — added at the speed of what's actually good.
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Camera
Lighting
Grip
Expendables
Vehicles
KP
Keslow CameraCamera · Lenses
Culver City, CA
View →
PS
Panavision HollywoodCamera · Lenses · Grip
Woodland Hills, CA
View →
RM
Radiant ImagesSpecialty · VFX
Van Nuys, CA
View →
FS
Foto-Kem StagesCamera · Color
Burbank, CA
View →
OB
Otto NemenzCamera · Lenses
Hollywood, CA
View →
Soon —
Stages · Post houses · Trucks & transpo · Catering · Expendables
05 Built for the people who set the call
Department-shaped, not LinkedIn-shaped.
Martini doesn't care about your headline. It cares which DP you've worked with, which gaffer you trust on night exteriors, and which post house didn't ghost you in February. That's the work — that's what it tracks.
1st AD
"Tell me which boom op was on the last three of Pale Horse's nights." Three taps.
DP / Cam Op
Carry your camera team in your pocket. Re-build it on the next job in the time it takes to make a coffee.
Gaffer / Key Grip
Your best/swing/extras, by location, by season, by who's not currently out on something else.
Line Producer
Department heads who actually crewed something out, with the receipts. The full callsheet, on demand.
UPM / POC
Stop digging through emails for a phone number. The cinedex remembers — and so do the eleven people you cc'd in 2023.
Indie director
Your last short was four years ago. Your crew is still in here, with their current contact, current city, current availability.
06 Things people ask
Quietly answered.
Privacy, ownership, who sees what. The boring questions are the important ones — so here are the boring answers.
Who can see my callsheets?
Only you. By default, every callsheet you upload is private. Sharing is per-callsheet, per-person — and never includes phone numbers or addresses without each crew member opting in.
Do I have to upload the whole callsheet?
No. Crop it. Black-bar it. Upload just the page with the crew list. Martini reads what's there and ignores the rest.
What if a connection is wrong?
Either party can decline or remove a connection. Verified credits require both names to appear on the same uploaded callsheet — so there's a paper trail, both ways.
Does anyone above-the-line use this?
Some. Mostly we're built for the people who actually crew shows — ADs, departments, line producers, UPMs. The cinedex is yours; we don't care about LinkedIn-style optics.
What does it cost?
Free during beta. Paid plans, if and when, will be flat and obvious — never per-connection, never per-callsheet, never selling your network.
I'm on a closed show. Is this safe?
Yes. Nothing about your production is public, ever. Callsheets stay between you and the people you explicitly share them with.
Currently inviting
The cinedex you should've always had.
Request access. We send invites in small batches as we scale verification — usually within a week or two.